Showing posts with label Adams. Show all posts
Showing posts with label Adams. Show all posts

Tuesday, March 18, 2014

American Grace: Orli Shaham's album of connections

American Grace
Piano music from Steven Mackey/John Adams
Orlie Shaham, piano
Los Angeles Philharmonic; David Robertson, conductor
Jon Kimura Parker, piano
Canary Classics


This album is all about connections -- and those connections help make this release such a strong program of contemporary piano music. Orli Shaham and Steven Mackey are close personal friends. His piano concerto "Stumbling to Grace" was composed for her, and in this recording, the performance is conducted by David Robertson, Orli's husband. These close connections facilitate communication, and to my ears, translate into a superior composition and performance.

The music is well-suited to Shaham's technique, and she plays with a deep understanding of the material. And the Los Angeles Philharmonic, led by Robertson, is right there with her. This concerto, as the name implies, is one with a destination in mind. Disjointed themes gradually coalesce over the course of the 26-minute work, stumbling towards a satisfying finale that pulls all the pieces together. Without a deep understanding of the structure and purpose of all these seemingly unrelated bits, the concerto could come off as rambling mess. In this case, though, composer, soloist, and conductor all seem to be of one mind, And the result is phenomenal.

The John Adams works included are also worth the price of admission. Shaham breezes through "China Gates" with metronomic precision tempered by an expressive delicacy. Hallelujah Junction, a work for two pianos, is another outstanding performance. Jon Kimura Parker and Orli Shaham are perfectly matched, sounding like a single uber-pianist.

Friday, December 27, 2013

Inukusuit - Soundscapes by John Luther Adams

Inukusuit
John Luther Adams
Cantaloupe


If I had to describe Inukusuit, I’d say it sounds like Edgar Varese’s “Ionization” performed in the woods. But that really doesn’t do justice to Adams’ innovative soundscape. Inukusuit is a work intended for outdoor performance The ambient sounds are an important part of the composition, making every performance unique.

Be warned: Inukusuit require a major time investment (about an hour) to be experienced properly. But it will be worth the effort.

The recording starts with about three minutes of ambient sounds of the forest, before the percussion ensemble makes its presence known. Eventually the ensemble builds to a climax, completely drowning out the sounds of nature. Then the man-made music subsides, and in the end, we are left with only the chirping of birds and wind rustling the trees.

Adams’ music seems an organic part of the landscape. There’s a lot of wooden percussive sounds (including a wooden flute), and the ensemble seems to rise and fall, as if breathing. The disc comes with both an audio CD and a DVD version. And that’s a good thing. Because the DVD, played through a 5.1 home theater system, will get you as close as possible to the performance – which, after all, involves heightening the listener’s sense of space.


Tuesday, September 24, 2013

Fellow Traveler: Attacca Quartet's fresh take on Adams

Fellow Traveler - The Complete String Quartet Works of John Adams 
Attacca Quartet
Azica

The Attacca Quartet is a relatively new quartet, which is significant. Because they bring a youthful attitude and energy to Adam's music -- and the works benefit greatly from it.

"John's Book of Alleged Dances" is a wonderful collection of made-up dances. And its a set that should be played with a sense of fun. How can you take movements named "Dogjam" or "Alligator Escalator" otherwise? Yet this is demanding music that only works when played with precision and energy. The Attica pulls it all together, and delivers a winning performance. I won't say this is the definitive performance, but it's pretty darned close.

Also included is Adams' 2008 String Quartet, and the title select, "Fellow Traveler." The latter is a birthday present to Adams' opera collaborator Peter Sellers, and receives its world premier with this release. Although a short work, its unaffected nature and spontaneity makes it an ideal encore piece -- a function it sort of serves in this release.