Stars and Stripes Forever! Independence from Boring Music!

You know what this Friday is, don't you? Yes of course you do.

While some unfortunate, inward-looking souls in my former home country may prefer to celebrate "Getting Rid of the Troublesome Colonies Day", on Vivace, we know how to give you the best start to your Independence Day! So naturally, we'll have a very special program for the occasion. Of course, we'll feature great American music.

After 7 am, we'll have a work about America that we're pretty sure you've never heard before, a couple of songs from 1776 written by two of the Founding Fathers, and an 1816 version of the National Anthem. You may be surprised by how different it sounds.

 

We'll also celebrate the birthday of the great American songwriter, Stephen Foster, born on July 4th, 1826.

At 8 o'clock, we'll tell you the story of "My Country 'Tis of Thee" and we'll hear some unusual arrangements of familiar classics.

All in all, we'll prepare you for our live broadcast from Monticello at 9 am and we'll try to start your Independence Day as you probably hope to end it: with a musical bang!

You don't have to wear your red, white and blue, but if you would like to do that, please feel free!

Whatever you're wearing, as ever, I hope you'll join me for a sparkling, all-American edition of Vivace, 6-9 am this Friday.

Three Cheers for the Red, White and Blue!

Martin Perry scores big with American composers

Martin Perry Performs Binkerd & Ives
Gordon Binkerd: Essays for the Piano
Charles Ives: "Concord" Sonata
Martin Perry, piano
Bridge Records

Both works on this new release are first recordings, but for different reasons. Gordon Binkerd isn't a composer who's often performed, which is why his Essays get a recording premier here. Charles Ives' "Concord" Sonata has enjoyed several recordings, but this oft-revised work exists in many different versions -- this is the premier recording of one of them.

Gordon Binkerd was a Midwesterner who was active in the mid-Twentieth century. His music has a deliberately homespun roughness to it, which Binkerd used to express the inherent Americaness of his work. Whether the stance was authentic or not, Binkerd never received the attention of Copland and Barber, and his work has been sadly neglected.

I say sadly, because the three Essays for the Piano played here are well-crafted works that deserve a hearing. These works sound "American" without any affectation, and have real expressive power. The Essays are in a somewhat dissonant style, but still full of interesting and engaging melodies and harmonies.

Ives continually revised his Second Piano Sonata even after he had it published. So there are a lot of different -- and sometimes conflicting -- versions of the work in existence. Pianist John Kirkpatrick (who would in time become the curator of the Charles Ives Archive at Yale) pulled together all of these variant versions and created a definitive, final edition of the work. That's the version Perry plays in this release.

As played by Perry, the sonata is very expressive, with some of the quieter sections sounding almost sweetly sentimental. Even during the roaring climaxes, Perry plays with taste and musicality. The music gets loud, but it's always under control -- not a mean feat with the maelstrom of notes and tune snippets Ives throws at the player. Perry delivers a very distinctive -- and faithful, I think -- interpretation of this complex work. And one that provides additional insights when compared to other performances.