Rautavaara: Missa a Cappella
Sacred Choral Works
Latvian Radio Choir
Sigvards Klava, director
Ondine
There's
a consistency about Einojuhani Rautavaara's writing that gives his
music a timeless quality. After auditioning this new release, I
revisited the earliest recording I owned of his music, "Angels and
Visitations" (1997). The style was virtually identical.
That's
not to say Rautavaara hasn't grown creatively. Rather, to me it shows
that once he hit upon the best way to express himself musically, he's
simply continued in that vein, creating works that continue to be deeply
spiritual and thought-provoking.
This new release is no exception. The major work on the album, Missa a cappella,
is a floating, ever-changing cloud of sound that benefits from the
resonant echoes of the cathedral it was recorded in. This is not music
for the concert hall, but truly music for the church. Rautavaara writes
masterfully for choir, creating a work that is ethereal and spiritual,
yet rooted in human emotion.
The release is filled out with several shorter a cappella selections that compliment the Missa
perfectly. The Latvian Radio Choir under Sigvards Klava has a warm,
blended sound ideally suited to Rautavaara's music. Beautiful music
beautifully recorded.
News and views from the classical music announcers at WTJU, 91.1 FM, Charlottesville, Virginia
Showing posts with label Rautavaara. Show all posts
Showing posts with label Rautavaara. Show all posts
Tuesday, August 27, 2013
Wednesday, March 21, 2012
Rautavaara: New Concertos from a Finnish Master
Rautavaara: Towards the Horizon; Modificata; Incantations
Truls Mork, cello
Colin Currie, percussion
Helsinki Philharmonic Orchestra; John Storgards, conductor
Ondine
This new release sheds some light onto Einojuhani Rautavaara's growth as a composer. The outer two works are recent concertos, composed in 2008/2009. But the middle work, Modificata, was written in 1957, when Rautavaara was just 29 years old and very much enamored with serial composition.
The current version, though, is his 2003 revision of the work, which smoothed out some of the jagged edges. Still, it's a very stark and aggressive-sounding work, especially when compared to the concertos that flank it.
Rautavaara's second cello concerto, "Towards the Horizon" is a single-movement work full of expression. The cello seems to float along over top of an orchestral ocean of ethereal harmonies. As the title suggests, there's a sense of motion towards a destination that's always out of reach. And while the cello part isn't that challenging technically, to meaningfully convey all the emotion written into the score requires top-notch musicianship. And Truls Mork fills that role admirably.
"Incantations" is a percussion concerto composed for Colin Currie. Currie met with Rautavaara during the composing of the work, and created his own cadenza. Having Currie perform on this recording makes the concerto come alive. All the hallmarks of Rautavaara's current style are there; the stacked chords, the warm orchestration and the large musical gestures to which the solo percussionist provides additional rhythmic impetus. Most of the the time, Currie's playing melodic percussion instruments, but even when he's not, Rautavaara's written the work so it sounds like he is.
This is fine addition to Ondine's catalog of Rautavaara recordings.
Truls Mork, cello
Colin Currie, percussion
Helsinki Philharmonic Orchestra; John Storgards, conductor
Ondine
This new release sheds some light onto Einojuhani Rautavaara's growth as a composer. The outer two works are recent concertos, composed in 2008/2009. But the middle work, Modificata, was written in 1957, when Rautavaara was just 29 years old and very much enamored with serial composition.
The current version, though, is his 2003 revision of the work, which smoothed out some of the jagged edges. Still, it's a very stark and aggressive-sounding work, especially when compared to the concertos that flank it.
Rautavaara's second cello concerto, "Towards the Horizon" is a single-movement work full of expression. The cello seems to float along over top of an orchestral ocean of ethereal harmonies. As the title suggests, there's a sense of motion towards a destination that's always out of reach. And while the cello part isn't that challenging technically, to meaningfully convey all the emotion written into the score requires top-notch musicianship. And Truls Mork fills that role admirably.
"Incantations" is a percussion concerto composed for Colin Currie. Currie met with Rautavaara during the composing of the work, and created his own cadenza. Having Currie perform on this recording makes the concerto come alive. All the hallmarks of Rautavaara's current style are there; the stacked chords, the warm orchestration and the large musical gestures to which the solo percussionist provides additional rhythmic impetus. Most of the the time, Currie's playing melodic percussion instruments, but even when he's not, Rautavaara's written the work so it sounds like he is.
This is fine addition to Ondine's catalog of Rautavaara recordings.
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