Showing posts with label Schubert. Show all posts
Showing posts with label Schubert. Show all posts

Wednesday, October 15, 2014

A Morning of Marvelous Musical Treats!


This Friday on Vivace, we have some special musical treats for you. 

We start gently at 6 am with a Sonata for Flute and Piano by Danish composer Friedrich Kuhlau and, for viola fans, a viola concerto by Carl Stamitz. We will also salute British composer Herbert Howells on his 122nd birthday - appropriately with his arrangement of Psalm 122.


Herbert Howells and Domenico Zipoli

At 7, we find Franz Schubert in lively mood as we listen to his Five German Dances, and we'll also have a short work by Domenico Zipoli, whose 326th birthday will be on Friday.

      Felix Mendelssohn at 22

On October 17, 1831, the 22 year-old Felix Mendelssohn gave the first performance of his Piano Concerto No. 1 in G, Op. 25 in In Munich. To commemorate the occasion we'll hear it at about 7:30 am, in a sparkling performance by Sir Andras Schiff, who returned to the same hall in Munich to perform it with the Bavarian Radio Symphony Orchestra. 

The real star of this week's show may well turn out to be the Cello Concerto No.6 by Jean Balthasar Tricklir, which we'll hear just after 8 am. We're anticipating a good audience reaction, so here's a photo of the CD cover, just in case you want to buy it.

We'll round out the show with music of Hummel and Mozart. As ever, I hope you'll join me for Vivace, 6-9 am Friday, right here on WTJU-Charlottesville.

Monday, August 18, 2014

Gilbert Kalish Performs Old Favorites

Haydn, Beethoven, Schubert
Gilbert Kalish, piano
Bridge Records

In this recording, Gilbert Kalish presents an appealing program of works he knows well. The opening and closing works are the final piano sonatas of their respective composers -- Haydn and Schubert, with a selection of short works by Beethoven in the middle.

Haydn's Sonata No. 62 in E-flat (Hob.XVI:52)  was composed for a gifted performer, and is one of Haydn's more complex piano works. Nonetheless, Kalish keeps things light and elegant. His well-rounded phrasing and subtle emphasis captures Haydn's reserved elegance perfectly.

Kalish also plays Franz Schubert's Piano Sonata No. 21 in B-flat, D. 960 in a slightly reserved fashion -- but it works. Rather than overwhelming the listener with emotion, Kalish's performance reveals the beautiful construction of the work. One hears the intricate patterns and lines of the sonata, rather than a furious rush of notes.

The Bagatelles, Op. 119 of Beethoven balance nicely with the two sonatas. These are short, relatively simple works (by Beethoven standards). Each bagatelle is lovingly performed by Kalish, turned into miniature gems by his musicianship.

Kalish plays with the fluid assurance that comes from a lifetime of music-making. He isn't trying to prove anything, or even assert his personality. He just plays, and it sounds like he's enjoying every moment. As did I.

Wednesday, July 9, 2014

The Rare and the Familiar


When you start your Friday with Vivace, as we hope you always do, it sometimes means hearing music by rarely-heard composers, and that will certainly be true this week.  We'll start with a symphony by Carl Loewe and a flute quintet by Andreas Romberg. At 7 o'clock, we have a delightful harpsichord concerto by Simon Mayr and a piano fantasy by Franz Schubert ... 

 

... and we'll find out if you know which famous composer wrote the music for the US Marine Corps hymn as we celebrate the 216th anniversary of the US Marine Band, which was established by an act of Congress on July 11, 1798.

After 8 o'clock, we'll have music of Hummel and Mozart and we'll celebrate the 153rd birthday of Russian composer Anton Arensky.

As ever, I hope you'll join me for Vivace, Friday morning 6-9 am, here on WTJU-Charlottesville.

Wednesday, March 19, 2014

Celebrating JS Bach and three other musical birthdays!

On March 21st, 1685, Johann Ambrosius Bach, the director of the musicians of Eisenach in Germany, and his wife, Maria Elisabeth, welcomed their eighth child, Johann Sebastian Bach. 


Less than a month earlier, Georg Frederic Handel had been born less than 100 miles away.  The two boys grew up to be the guiding musical lights of the Baroque period.   We'll celebrate Bach's birthday in fine style this week on Vivace.

There are also three other remarkable anniversaries:  the debut of the Great Symphony No.9 in C-Major, by Schubert, a performance of which will fill our first hour;  the first performance of the String Quartet No. 13 in B Flat Major, by Beethoven, which we'll hear after 8 o'clock, and the 75th anniversary of one of the most famous songs of the modern era.  We'll also have a piano concerto by Puccini, but not the Puccini you know.

As ever, I hope you'll join me for a show full of entertainment and surprises.  That's Vivace, this Friday, March 21, 6-9 am right here on WTJU-Charlottesville.

Wednesday, March 12, 2014

Vivace! A compilation of celebrations and cheerful classical choices!


The first performance of the String Quartet No. 13 in A Minor, the Rosamunde Quartet, D 804 by Franz Schubert took place on March 14, 1824. On the 190th anniversary of that debut, we'll start this week's Vivace with a sparkling performance of it.

Just after 7 am, we'll hear some music of Ernst Eichner, a rarely heard 18th Century German composer.  We will celebrate the birthdays of two famous composers: Georg Telemann and Johann Strauss 1 ...


... and as mathematicians and scientists celebrate National Pi Day, we'll have some special music for them at 8 o'clock.  Don't forget to eat some pie as you listen!


At about 8:30 am, we'll have a special treat for Gilbert & Sullivan fans as we celebrate the anniversary of The Mikado's first performance in London.


As ever, I look forward to the pleasure of your company this Friday for another fun-filled edition of Vivace, 6-9 am, right here on WTJU-Charlottesville.

Wednesday, November 20, 2013

The Strange Case of the Schubert Symphonies

If there's one thing most people know about Franz Schubert, it's that his most popular symphony is unfinished. If there's a second thing folks remember about Franz Schubert, it's that he only wrote nine symphonies. But if you look carefully at the list, you'll notice two oddities.

Symphony No. 1 in D major, D 82
Symphony No. 2 in B-flat major, D 125
Symphony No. 3 in D major, D 200
Symphony No. 4 in C minor, "Tragic" D 417
Symphony No. 5 in B-flat major, D 485
Symphony No. 6 in C major "Little C Major" D 589
Symphony No. 8 in B minor "Unfinished" D 759
Symphony No. 9 in C major "Great C Major" D 944

What's odd?
1) There's a symphony missing.
2) It's not the unfinished symphony.

Unfinished, but included
The official "Unfinished" symphony (No. 8) incompletion wasn't because of Schubert's death. He wrote the first and second movement in 1822 (six years before his death), and just never got around to writing the last two movements. (most symphonies from this era had four movements). The first two movements were of such quality, though, that they were performed and have become part of the standard repertoire.

Unfinished and missing
The missing symphony is No. 7 is even more of a fragment than the 8th. composed in 1821, this E major symphony exists in sketch form, with a melody line and bass and counterpoint underneath. Unlike the 8th, all four movements of the 7th were written, and the first part of the first movement is fully orchestrated (the next step in the composition process).

The other other unfinished symphony
And there's another symphony missing from the list. In the final weeks of his life, Schubert composed a 10th symphony in a piano reduction score. That is, the music is written to be played on the piano, with notes indicating instruments for later orchestration. Like the 7th, it appears to be complete in sketch form.

With a significant amount of these compositions complete, it isn't surprising that musicians have been tempted to fill in the blanks.

Symphony No. 7's three co-composers
Schubert's 7th symphony was first completed in 1881 by John Francis Barnett, an English composer and teacher. Famed conductor Felix Weingartner did his own version in 1934, and featured it in performance. The final version (to date) is by composer and scholar Brian Newbould, who extensively studied Schubert in order to make his completion as authentic as possible.

Symphony No. 10's two-and-a-half co-composers
The score for Symphony No. 10 was only identified as such in the 1970's, and Brian Newbould offered a scholarly completion of it. Conductor Pierre Bartholomeé revised Newbould's version with controversial results. And finally, composer Luciano Berio used the source material  as the basis for his work "Rendering."

Questions remain
So how many symphonies did Schubert really write? In terms of completed works, seven. In terms of what's commonly performed, eight. And in terms of what might have been, ten.

But are these completions valid? It's difficult to say Schubert may have revised the surviving material after working with it for a while. While we can say a combination of instruments for a certain passage is likely, based on Schubert's other works, it's possible he may have chosen differently.

Personally, I think the sketches are complete enough that most of the resulting music is Schubert's. And I'm glad for the opportunity to hear these works, even in an adulterated form. They deepen my understanding and appreciation of this short-lived musical genius.