American Tapestry
Duos for Flute and Piano
Susan Rotholz, flute;
Margaret Kampmeier, piano
Bridge Records
The album is titled "American Tapestry," but it's no crazy quilt. The four duos for flute and piano Susan Rotholz and Margaret Kampmeier perform fit nicely together. All are tonal after a fashion, giving the program coherence; and yet each differ in character to give the listener real variety.
Robert Beaser takes a simple theme and lets it logically unfold with his "Variations for flute and Piano." Some of the harmonies have an open quality to them, which makes the Variations a nice lead-in to Aaron Copland's "Duo for Flute and Piano." This 1971 work has the wide open sound of Copland's Americana works.
Robert Muczynski's "Sonata for Flute and Piano" also fits well. to my ears, the work has a Ravel/Debussy quality to it, with a hint of Samuel Barber. That's not a bad combination, and one that makes for an attractive and enjoyable work. The album concludes with Lowell Liebermann's "Sonata for Flute and Piano," and almost seems like a further development of Muczynski's work. Liebermann's work is just as artfully constructed, with melodies that can only be described as beautiful.
Rotholz plays with a clear tone that's never out of control. Even when the music takes the flute into the extreme upper register, the sound gets brighter but never shrill. The recording is also well-balanced. Both flute and piano are on par with each other and sitting comfortably in the soundfield; close enough to hear all the detail, without capturing any harshness.
News and views from the classical music announcers at WTJU, 91.1 FM, Charlottesville, Virginia
Showing posts with label Copland. Show all posts
Showing posts with label Copland. Show all posts
Monday, July 14, 2014
Monday, March 31, 2014
Composing America - Lark Quartet's study in contrasts
Composing America
Adams, Bolcom, Copland & Moravec
The Lark Quartet
Bridge Records
The Lark Quartet's latest release is a broad sampling of American string quartet music -- and it's broad in many ways. First, it ranges from the 1928 modernism of Aaron Copland, through the minimalism of John Adams, the populist sound of William Bolcolm and ending with the more formal writing of Paul Moravec.
It's also broad in it's inclusion of performers. the selections from "John's Book of Alleged Dances" (John Adams) features percussionist Yousif Sheronick. Bolcom's "Billie in the Darbies" has the quartet accompanying baritone Stephen Salters. The Moravec work is a Piano Quartet, which the quartet performs with pianist Jeremy Denk. Only eight minutes of the program, Copland's "Two Pieces for String Quartet" are for sting quartet alone.
And all of it's to the good. The variety of styles, forces, and sounds make this an interesting album to listen to straight through. The Lark's clear, straight-forward sound seems perfectly suited to this material.
Adams, Bolcom, Copland & Moravec
The Lark Quartet
Bridge Records
The Lark Quartet's latest release is a broad sampling of American string quartet music -- and it's broad in many ways. First, it ranges from the 1928 modernism of Aaron Copland, through the minimalism of John Adams, the populist sound of William Bolcolm and ending with the more formal writing of Paul Moravec.
It's also broad in it's inclusion of performers. the selections from "John's Book of Alleged Dances" (John Adams) features percussionist Yousif Sheronick. Bolcom's "Billie in the Darbies" has the quartet accompanying baritone Stephen Salters. The Moravec work is a Piano Quartet, which the quartet performs with pianist Jeremy Denk. Only eight minutes of the program, Copland's "Two Pieces for String Quartet" are for sting quartet alone.
And all of it's to the good. The variety of styles, forces, and sounds make this an interesting album to listen to straight through. The Lark's clear, straight-forward sound seems perfectly suited to this material.
Subscribe to:
Posts (Atom)

