Weinberg: Symphony No. 6 - Rhapsody on Moldavian Themes 
 
St. Petersburg State Symphony Orchestra
Vladimir Lande, conductor
Glinka Choral College Boys' Choir
Naxos
Mieczyslaw Weinberg was a 
close personal friend as well as a colleague of Shostakovitch, and that 
relationship shows in his music. His Sixth Symphony opens in a manner 
that sounds (to my ears) very much like Shostakovitch. But while there 
are some stylistic similarities, there are also plenty of differences.
Weinberg was an imaginative orchestrator, particularly with his use of 
brass instruments. This programmatic work has a powerful message. The 
symphony begins with a celebration of the care-free days of youth, and 
moves through the horrors of war (and the death of childhood) to a 
tentative hope for the future. Weinberg's sparing use of a boys' choir 
makes the message all the more effective.
The second work on the disc is a shorter Rhapsody on Moldavian Themes. 
The rich melodic content of this composition makes it instantly 
attractive. Weinberg sounds less like Shostakovitch here (perhaps its 
the choice of subject matter). The music flows along in a relentless 
fashion, with plenty of energy and high-spirited dance motifs that 
almost beg to be choreographed.
Vladimir Lande leads the St. Petersburg State Symphony Orchestra in the 
performance of these works. The playing is first-rate, which really 
helps further the cause for these relatively unknown compositions. If 
you aren't familiar with Mieczyslaw Weinberg, this release is a good 
place to start.

 
That was really striking. A very emotionally hard-edged sound. I agree that it sounded a lot like DS, but with its own poignant edge. I'd like to hear the Moldavian stuff as well; I may go and check that out.
ReplyDeleteYou may be glad to know that I'd trying to keep up my WTJU listening while in Europe -- listening to Gamut from Bayreuth. What devoted listeners you have!
John:
ReplyDeleteThat is devotion, indeed! I'll definitely be airing the Moldavian work in the near future. Weinberg may have resembled Shostakovich in some ways, but he definitely had an original compositional voice. Some (but not all) of his other 20+ symphonies are available -- I'll be tracking those down as well. Thanks for listening, even from afar!